When a harmless game embarked upon by a married couple turns into a fight for survival, personal demons and possibly those in the house must be confronted if anyone is to make it out alive.
Jessie (Carla Gugino) and Gerald Berlingame (Bruce Greenwood) are a married couple on a downward slope. In a bid to save their relationship, they take a weekend trip to a rural retreat and attempt to spice things up a bit. However, events take a sharp turn, and Jessie is left to fight for her life, whilst battling her own demons as well.
Last weekend, I watched one of the new Netflix Original films, Gerald’s Game. It sounded… interesting, judging by what I got from the description. However, I wasn’t prepared for what actually happened in the film. It turned out to be a good psychological thriller that proved to use once again that Netflix isn’t messing around when it comes to it’s own projects.
I think the two lead performances were really, really good, and they helped to keep the film moving along at a good pace. Carla Gugino’s character was great to watch as the film unfolded. It was really interesting to see how she portrayed the unraveling that took place for her character as time went by. Gugino completely tapped into the film’s psychological tones with her performance as her character Jessie fought with herself as well as the situation she found herself in, and this was one area the film was able to build tension well, because you never knew whether or not Jessie would have it in her to do what she needed to do in order to escape.
Bruce Greenwood was equally wonderful to watch. There was an uneasy dynamic between his character and Gugino’s right at the start of the film, and the character that Greenwood went on to portray later on in the film totally explained that. I think he nailed the abusive and chauvinistic side of Gerald, and when paired with Gugino’s performance, it worked tremendously well. As I said, it was these two performances that made this film so watchable.
I love how this film was absolutely nothing like what I had expected it was going to be. I also loved how effectively it built tension. When somebody can make getting a glass of water a heart-stopping event, that is at sign of good storytelling, by means of both writing and directing. There were moments in this film that were similar in nature to that episode of Breaking Bad where Walter White chased a fly for an hour. It was completely deliberate and by no means an accident that such moments had such a massive impact on the rest of the film. That being said, it wasn’t just the small things this film got right. Gerald’s Game also had some pretty big moments where you could say it really took the gloves off. It struck a good balance between these two elements, which ultimately paid off.
The way the film told it’s story was very clever in my opinion. It entertained, but also contributed to so many wider meanings and topics without becoming obscure and seemingly pretentious. For a film’s narrative to be able to do both of those things well has become quite a feat of late I think.
All in all, I was quite a fan of Gerald’s Game. It did everything it needed to do and did so very well. Obviously the performances were a massive helping hand in making this film so good to watch, but the writing absolutely did it’s fair share of the work. To anybody who is contemplating watching this, I say go for it, because it is one of the better psychological thrillers to surface recently.