We’re now in extra time!


Hi everyone!

Just a quick note to any of you who were interested in taking part in the Play To The Whistle Blogathon but maybe missed the deadline on Friday – you still have a few days send in whatever you need to.

If you still want to be part of the blogathon, please send in your sports films reviews this week ready for the big event to kick off next weekend. Just remember all entries need to be sent to me (filmandtv101withkiracomerford@outlook.com) or Josh from Reffing Movies (themoviereferee@gmail.com).

I’m looking forward to reading any of your last minute reviews!

Final call for entries!


Hello everybody!

Friday, May 26th, is fast approaching, and this means one thing – all your reviews for the Play To The Whistle Blogathon hosted by myself and Josh from Reffing Movies will be due in. I’ve had a number of entries sent in already, but I know there were plenty more of you interested in this event so I’m expecting a lot more to come my way by the end of the week. 

As I’ve said in the numerous posts before this, any sports film goes. Just write up your review and send it over, or if you’ve already posted the review on your own blog, send a link to the post our way for a bit of copy/pasting to take place. All emails can come to me (filmandtv101withkiracomerford@outlook.com) or Josh (themoviereferee@gmail.com).

For the final time, I will say that I am looking forward to having as many of you involved as possible! Even if this is the first you’ve heard of the blogathon, there is still time for you to take part. It would be really great if we could make this a success together, so don’t hold back guys – pick a favourite sports movie and share it with the world.

No Shame in admitting this is a very interesting film


A man with a carefully managed private life has everything thrown into disarray when his sister stops with him for an indefinite stay.
Sex-dependent Brandon (Michael Fassbender) is a functioning addict. He hides behind the facade of a good job and swanky apartment doing whatever he has to to manage his addiction in between frequent hook-ups with women he often just picks out during his commute on the subway. However, one evening he arrives home to find his sister, Sissy (Carey Mulligan), has taken up residence in his apartment, and suddenly the micro-managed life he has worked so hard to maintain comes crashing down. His private life and work life begin to blur into one another, and slowly but surely Brandon begins to lose the little bit of control he had.

So, I watched Shame. I’m a fan of Michael Fassbender, so it was only a matter of time before I saw it. It’s a, shall we say, interesting film, there’s no denying that. I don’t really know what I was expecting to be completely honest – it’s not like it said in the film’s description that it was about a sex addict or anything like that. 

No matter what the film’s subject matter was though, I knew that with Fassbender heading up the cast I was in safe hands. Does he ever give a bad performance? There were times I found him quite uncomfortable to watch, although I have to admit I’d imagine this would have been far worse had I decided to watch the film with my parents. I feel as though Fassbender really captured the desperation that comes with any addition very well indeed, and the reason it was perhaps so hard to watch at times was because it felt so realistic. Maybe my blushes were a sign of a good job on his part.

Carey Mulligan was just as good as Fassbender, and is probably the unsung hero of the whole film. She plays the one person who Brandon manages to have a serious relationship with (not THAT kind of relationship though, I am talking purely brother and sister, no more than that). She is the only person who really seems able to humanise him in any way, which I think is important because otherwise it would be all too easy to view him with disgust. Her and Fassbender share one scene in particular in the film that is absolutely tremendous. It was shot in one take and I think epitomises the way things are between the two of them.

There wasn’t a storyline as such as this was more of a character study than anything else. There was no major antagonist in the film at all, it was just a case of Brandon being his own worst enemy. It was a very intriguing study if I’m honest, I don’t recall ever having watched a film centred around addiction like this before. In my eyes, it was very original.

The writing behind it was also… I’d say good, but for how it left me feeling about Fassbender afterwards, I’m not entirely sure that would be the right word. All I’ll say is I’m going to have to go to church a few times after what he said. I did cringe a bit, but I guess that’s just a sign of how impactful writer and director Steve McQueen’s work was.

While I might not be overly certain about what to make of Shame, I can’t deny that it had quite a handful of positives going for it, and I’d say that my uncertainty about my feelings towards the film is probably a sign of how successful it was in gaining a reaction from audiences. It isn’t a film I’ll be recommending to my parents to watch, so that should be reasonably indicative of the content to be found here, but it does shed a light on human nature, whilst also proving that Michael Fassbender is a gifted man in more ways than one.

The glorious truth about Big Little Lies

The perfect lives of three mothers of first graders unravel, resulting in murder.

When Jane Chapman (Shailene Woodley) moves to Monterey with her son Ziggy to escape her past, she is quickly befriended by Madeleine Mackenzie (Reese Witherspoon), who introduces her to Celeste Wright (Nicole Kidman). Together, the three become a formidable trio amongst the rest of the mums at their kids’ school, especially in the wake of a playground incident after which, Ziggy is witch hunted by the other children and parents. What unfolds is a tale of ex-husbands, second wives and school yard scandals, all in between the little white lies that they all tell to uphold the fronts each of these women present to the world.

I’d heard a lot about Big Little Lies following it’s premier in the U.S. a couple of months ago, and seeing it would be shown soon after on Sky Atlantic, I thought I too would give it a spin, although I hadn’t expected it to be my thing at all. I was, however, proven wrong, and thankfully so, because here I am now sharing what a wonderful show it was with you.

The three lead performances here were tremendous. Woodley, Witherspoon and Kidman were all as brilliant as each other in their own special ways, but I have to say that the latter name mentioned just pipped the other two for the title of best performance in this series. If there is a god, or any sort of higher power in existence, Kidman will be nominated for an Emmy for her portrayal of Celeste Wright. Celeste was such a complex character, and in each of the seven episodes that made up this mini-series more and more was revealed about her. There were so, so many layers to this particular character, and for her alone I was willing to return for the next instalment each week.

The story was very simple, yet also very complex, if that makes any sense at all. If you strip the story back to the very basics, it is essentially a whodunnit, only the thing here is we don’t know a) who the killer is or b) who the victim is, so already it’s a small twist on the traditional. Add then the numerous points of conflict that arise throughout the course of the seven episodes and you struggle to come to a definitive conclusion on what the motive might be as well, which scuppers any chance of you being able to come up with a very shortlist of suspects. It was very refreshing to see the story told in this way, and while I had my guesses at who had ended up dead as a result of the many chains of events shown in the series, I was never exactly sure of who, how or why until the dying moments of the finale.

So, despite my initial scepticism, I have to say that Big Little Lies may very well be one of the best new shows of 2017, if not the best. I am going to be keeping my eye out for the book from which the story was adapted for the screen, because while I was very impressed by this series, I have an inkling that there is even more to be taken from the book, which is the case more often than not. What makes this so intriguing is the way the story is told, but just as important are the performances that deliver us this story. If you’ve not seen Big Little Lies, I would urge you to watch it, as it may very well be one of the greatest things you’ll watch this year.

The Gift fully delivered


A young married couple have their live’s thrown into disarray when an acquaintance from the husband’s past turns up and reveals a horrific secret about him.
When husband and wife Simon (Jason Bateman) and Robyn (Rebecca Hall) move from Chicago to California, one of the first things they do is head to a home furnishings store. There, they bump into Gordo (Joel Edgerton), a man who seems to Simon, despite Simon not being sure that he’s ever met him before in his life. Through a series of unplanned meetings at their new home, Simon realises that he went to school with Gordo, and that events from their childhood may have had an adverse effect on him. Simon tries to convince Robyn not to worry, however still unnerved, she decides to do some digging of her own. When she finds out what exactly unfolded between the two men years ago, she’s not entirely sure who the bad guy is anymore.

The Gift is one of those films that I had heard a lot of good things about, so was eager to watch it in order to see what all the fuss was about. I have to say, for a film that was shown in trailers to be a bit jumpy, I had half expected it to fall flat, despite the rave reviews. I can happily inform you, however, that it fully delivered on what was promised, with everything culminating in a horrifically twisted ending that will leave you questioning who the real villain was yourself.

I quite enjoyed all the performances here. Jason Bateman, or, as someone kindly pointed out to me via Twitter, Jason Great-man, played a good part as Simon, as did Joel Edgerton as Gordo. I mention them both together because in a way, they took on similar roles. I couldn’t really be sure about either of them for the whole film. I think they complemented each other’s characters really well, and a few of the scenes where the pair sized each other up were majorly intense.

Speaking of intense, something this film was very gifted (you’re welcome) at was building tension. You may or may not be aware by now that I am a jumper, and I will have you know that I watched this film late at night – an excellent combination I later discovered! The mix of the dimly lit shots plus the use of only the film score alongside the overall tone of the film made for a very eerie atmosphere, and just like lighting follows a clap of thunder, this eventually culminated in a jump scare that got me every single time. 

I have to give full credit to Edgerton. Not only did he star in the film as a terrific character, but he also wrote AND directed the whole thing as well. I’ve seen people give themselves this workload before, but usually one part of it is at least slightly below the standard the other two meet. Edgerton, however, handled all three components masterfully here, proving that what I’ve heard from fellow bloggers and human beings is true – he is a very talented man, and one that I shall be keeping an eye on for the foreseeable future.

Overall, I have to say I’d recommend The Gift to people, in fact, I already had before writing this post. For a film that just seemed to pop up out of nowhere, it does alright. One thing it knows how to do is build an atmosphere, whether that be through pitting characters against each other or the use of all resources involved in making the film. It’s a good watch, and one that proved to me that once a jumper, always a jumper.

Winter’s Bone gives you plenty to chew on


An Ozark mountain girl is forced to go in search of her drug-dealing father when the safety of her family is threatened.In the Ozark mountain community, Ree (Jennifer Lawrence) has to raise her younger brother and sister and care for her mentally-ill mother. All she has to help her is the house she lives in, and when her drug-dealing father fails to show in court, her and her family risk losing it. The only way to prevent the imminent seizure of assets is if Ree can find her father. She embarks on her search, but encounters much resistance from the community, amongst which Ree’s father had made a lot of enemies, meaning that her quest for the survival of her family may not be an easy one.

I’d heard a lot of good things about Winter’s Bone prior to watching it. Some people say that it is the one Oscar nomination Jennifer Lawrence has received that nobody can argue with, and that the story is a very gritty, realistic one. After watching the film, I have to say I completely agree with both of the above statements.

At the age of nineteen, Lawrence did a wonderful job as Ree. I am a fan of her work, and I do think that we will see a lot of very impressive performances from her for years to come, but this was a very good (I guess you could say breakout?) role. Part of me wishes that this had been the first film of hers that I had seen just because the element of anonymity would have increased the overall authenticity of her character, but I can’t say really that my prior knowledge of Lawrence’s work detracted very much at all. She completely captured the grit, determination and also desperation of Ree, who ultimately was just trying to keep her family together. 

John Hawkins (who I’m currently enjoying in the very early episodes of Deadwood) played Ree’s uncle, Teardrop. I loved his performance because, although he was a hard man, he had his priorities right and did what he had to do in order to protect his family. There was something quite lovely about the bond that became evident between him and Ree as the film progressed, which added buckets to the film.

What really caught my eye whilst watching this film was the cinematography and the colours within the shots. The landscapes that were captured were beautiful, yet the lack of bright colours conveyed the bleakness that was such a huge part of life for these people. I also feel like the two together also said something far more profound than what I can find words for about the story, which was rather straightforward, but told incredibly well. The characters were all very realistic, and the whole thing reflected the harshness of life, regardless of whether its in the mountains or not, very well indeed. There was just such a great sense of realism surrounding the piece that there were times I found myself thinking that the whole thing could actually have been based on actually events because it was nothing out of the ordinary, yet very riveting to watch.

Three weeks to get your entries in!


It feels like it’s been talked about for ages, but there are just three weeks left for you to get your submissions sent in for the Play To The Whistle Blogathon, hosted by myself and Josh from Reffing Movies. 

Remember, any film featuring sport is fair game. We’ve been shown interest from a fair handful of people, but the way we see it is the more, the merrier! These things are a great way of getting involved in the blogging community and getting to know your fellow movie bloggers, so you really have everything to gain from taking part.

For those of you already signed up, and those of you who might only be hearing of this blogathon for the first time, you have until May 26th to get your review/s sent in. Email me at filmandtv101withkiracomerford@outlook.com or Josh at themoviereferee@gmail with your entries and we’ll do the rest.

If your interested, or have any questions, leave me a comment, Tweet or email me, send a note in a bottle if you have to – I want to get as many people involved as possible so please get involved. I’m looking forward to receiving your reviews on your favourite sports film, and sharing them with the rest of the blogging community!