I don’t remember the last time I went to the cinema to watch a film with no expectation other than the fact that I was going to have about two hours of mindless fun.
Or at least I couldn’t until it came to The Meg.
I’m not going to lie to you – I got very excited when I found out Jason Statham was going to be taking on a big-ass shark this summer. What better calling was there for this guy? He lives to make films like this. He’s not fussed about Oscars, he just wants to make action flicks that entertain people, and with The Meg, he’s achieved that goal once again.
The first half hour gives you all the background and sets the scene. Admittedly, you do find yourself thinking at this point, “Hurry up and show me what I came to see.” Patience, however, is a virtue, and you do very quickly start to get rewarded once that initial phase of the film is over.
What comes next is everything you could ever have hoped this Statham vs shark movie would deliver and more. You get the big-ass shark. You get the even bigger-ass shark eating that shark, up-ending a boat in the process. Ridiculous action movie heroics and near-misses that are way too convenient for the sake of a paper thin plot that you just willingly accept because you, some way, somehow, have allowed yourself to fall hook, line and sinker for this film. It shouldn’t work, but it does. Personally I felt it could have been improved with the addition of a lot more truly terrible one-liners, however I’ll forgive the writers this mis-step due to them allowing Statham the greatest line of the whole film. Tell me one person who the words “CHOMP ON THIS YOU UGLY BASTARD”, were better suited to. The reason that man was put on this earth was to deliver that line to us.
Now, it could be argued that the only reason The Meg hasn’t been ripped a new one is because of who the lead star is. When Jason Statham is involved in a film, suddenly people become more accepting of the fact that the film isn’t, and was never destined to win Oscars; that it will not represent art in the traditional way we know it. As a result, audiences are a lot more open-minded about what the film may contain, and The Meg gets away with murder.
However, let’s take Statham out of the mix for a second and give the film some serious credit where it’s due. This film has got one of the most diverse casts that I have seen in a while in what is a now a big summer blockbuster. Regardless of how well-received it is at the box office (which has been very well so far by the looks of things), no one can deny that there is a real mixed bunch of actors from all kinds of different background involved, and that was great to see.
If you want a couple of hours to just switch your brain off and enjoy a tonne of madness then it’d be worth popping in to your local cinema and feasting your eyes on The Meg. Very little mental capacity is required to enjoy this one – in fact, the less you go in with, the more fun this will be for you. It’s a film that know exactly what it is, and doesn’t once shy away from it. It’s probably going to be one of the best cinema trips I’ll have this year, and I am completely okay with that, and I really hope that we get to see some kind of a franchise come from this because I’m all ready to do the same thing all over again this time next year.