This review comes to you from Tiffany at the Pure Entertainment Preservation Society. Thank you Tiffany for getting involved – it was good to read about your film and to have you take part.
Angels In The Outfield
Many films are centered around sports. Others are centered around religious, supernatural elements such as angels. However, have you ever heard of a movie about sports and angels? There is such a film, and it is Angels in the Outfield from 1951 with Paul Douglas, Janet Leigh, and Donna Corcoran. I will review Angels in the Outfield in terms of the sports involved, the supernatural elements, and Guffy McGovern’s transformation.
As the name implies, this film is centered around baseball; it is a story about the Pittsburgh Pirates and their manager, Guffy McGovern. The Pirates are in a slump, and their losing streak has lasted for months. A cute reporteress named Jennifer Paige is assigned to write an article about the Pirates. She may not know anything about baseball, but she does know about proper behavior and comeuppance, so she is certain that the Pirates are losing because of their disagreeable manager’s behavior. There is a lot of interesting footage from actual baseball games which would be interesting to sports fans. The Pirates start in seventh place in the National League, and they soon move to eighth, the lowest possible position. However, after Guffy begins to reform his behavior with a little angelic intervention, the team begins to rapidly improve. Soon they are in third place with hopes for winning the pennant. After being hit in the head with a ball, Guffy dizzily reveals his conversations with angels. Further evidence leads to a trial regarding his sanity relating to talking with heavenly beings. This trial comes right before the final game that will determine the pennant, but the kind old judge says that Guffy is sane. However, because he started fighting with his reporter nemesis in the courtroom, Guffy is on his own. The final game is going shakily without heavenly intervention, and the pitcher is Guffy’s tired old friend, Saul Hellman, a man who was a great player years ago but now is wavering under the strain. Guffy’s angel told him that next year Saul would no longer be playing ball on earth, so he decided to give Hellman one last chance to be a star. Even though all the fickle fans are yelling for Hellman to be taken out, Guffy gives him a final chance, and his confidence in him makes him succeed. They win the game and the pennant.
The name also tells us that angels are involved in this movie; everything changes for the Pirates when Guffy becomes acquainted with an angel. One night, while trying to find his good luck piece on the dark field after a game, Guffy is cursing because he can’t find his missing token. A voice tells him to shut up; at first, Guffy is sure someone is playing a joke on him over the loud speaker. It takes a clap of thunder and a bolt of lightning bursting the calm night for him to realize that the voice is really an angel’s. This angel tells him to stop swearing, fighting, and bullying. If he obeys, the angels who play baseball will help him win some games. The very fanciful notion of angels in this film is the following: someone has been praying on Guffy McGovern’s behalf, so Gabriel, the archangel, has dispatched a personal angel to reform him and pull the Pirates out of their slump. This particular angel, who sits at Gabriel’s right hand, is a member of an angelic baseball team called the Heavenly Choir. This team is comprised of deceased baseball players who are receiving their reward in heaven, where they still play baseball and occasionally assist their mortal brothers in the game. The idea is that they stand behind the Pirates when they need help and assist them, wearing long white robes which are sort of like uniforms and bear the initials HC for Heavenly Choir; I understand they are not encumbered by their wings. Mind you, no angel is ever seen on the screen. The information comes from Guffy’s conversations with his unseen angel and a little girl’s description of them. You see, little Bridget White, a Catholic orphan with a lot of faith and a great fondness for Guffy and the Pirates, is the only person who can see the angels. Whenever they start helping the Pirates during a ballgame, she sees them very clearly.
It seems that nothing less than a miracle could transform Guffy McGovern from an irreverent, foul-mouthed bully into a kind man, but a child’s prayers, a woman’s love, and an angel’s intervention manage to reform him. Guffy is ruthless to his players, rude to reporters, and insulting to the umpire. His speech during and after games is often very blue, but this film uses a brilliant tactic to imply swearing without allowing one forbidden word to be said. Paul Douglas yells and talks, but several recordings of his voice are played at the same time, so his words sound like nonsense. I don’t know whether the idea came from Clarence Brown, the director, or Joseph Breen, the head of the Production Code Administration, but the Code administrator must have approved of this delicate technique. Guffy is thrown out of almost every game for his fighting with the umpire. After an angel warns him to stop fighting and swearing, he struggles, so the angel suggests that he learn Shakespeare to diversify his vocabulary. The whole team is stunned and nervous because of the coach’s change; he is kind, courteous, even-tempered, and well-versed in the language of the Immortal Bard. When Bridget White sees the celestial beings with whom he has been conversing, Guffy pays the sweet little orphan a visit; at the orphanage he encounters Jennifer Paige again, since she too is curious about the child. Jennifer writes an article about the girl’s supposed angel siting, but she soon realizes that it causes a lot of trouble. She brings Bridget to another baseball game, hoping that she won’t see angels when she sits out of the sun, but she sees them again. As Bridget recovers from a stomach ache caused by two many hotdogs and Eskimo pies, Guffy and Jenny visit her. Soon, the three are fast friends. For the first time in years, Guffy realizes that there is more to life than baseball. He realizes that a man can get a lot of joy and satisfaction from the affection and care of a young woman and little girl. He begins to make plans for adopting Bridget, but he will need to marry Jenny to give her a happy, normal home. At the end of the film, he has won the pennant, but more than that, he has won the love of a future wife and daughter.
Having reviewed Angels in the Outfield in terms of the sports involved, the supernatural elements, and Guffy’s transformation, we see that it is a heartwarming story that mingles America’s favorite pastime with a whimsical outlook on heaven and its angels. There is a lot of interesting footage of baseball games which will please sports fans but also be entertaining to people like me who don’t like sports. Although it presents a very fanciful view of angels, this movie has a charming if not realistic depiction of heaven and the way it helps humans. The experience with the angels makes Guffy realize that clean speech, peace-making, and respect and kindness for other people make life fulfilling and rich, since a man needs more than baseball in his life. Watch this movie soon to see how MGM charmingly mixed baseball and angels in 1951.