Review – A Quiet Place

It’s very easy to underestimate the power of sound.

In a lot of good films where it is used well, noises and music can become almost like an extra character. The people behind A Quiet Place knew this, and decided to go one step further by making sound the focus of the entire film.

Let me tell you, it worked. I mean, it really worked, very well indeed.

The film takes place in, presumably, the not-too-distant future, and depicts a world that we quickly find out has been overrun by monsters that hunt their prey via sound (and which we get to see plenty of throughout the film which made a massive change for once). In order to stay alive, all living things have to make as little noise as possible, as once these creatures find you, they generally don’t leave until they’ve killed you.

A Quiet Place sets the scene in a way similar to 28 Days Later. You’re introduced to a world that has been almost entirely abandoned by everyone. Straightaway you know that something major has happened, but exactly what that is only begins to be revealed a few moments later. In one fast, and very early, change of pace, the film shows that it isn’t messing about. I was surprised because I didn’t think it would deliver on what it was dangling in front of me. I was wrong. It was a horrifically intense start to a film, and I loved it.

In terms of intensity, the film starts just as it intends to go on. I don’t think it’s entirely inaccurate to say that I lost the ability to breathe properly for the duration of the film. I’ve seen many a film and TV show that has mastered building tension in numerous scenes, but I honestly cannot say that I have been as on edge for a whole 90 minutes as I was watching this. And this is all because of sound. If we tallied it up, I reckon there was only about five minutes worth of dialogue in the whole film. The rest of it was noise and music, both of which were ALWAYS put to their best use to achieve the effects intended by director John Krasinski, who also starred in the film.

The main performances in the film allow you to really jump onboard with the high stakes that even the moments of less tension point towards. A massive battle for survival is endured by everyone, and after you see the extremes that this family has gone to in order to survive, you are completely behind them in everything they do. Emily Blunt is a talent no matter where you put her, and obviously things are no different here. Her character Evelyn has a few different layers that are added to as the film progresses, and she does a fantastic job of showing a woman who is trying her best to survive, but also a mother who would do whatever it takes in order to protect her children. Krasinski provides us with a performance that portrays similar objectives, but of course we see a more paternal approach from him in terms of this. We know that both these actors are good at what they do as we’ve had the chance to see their work on multiple occasions, however the two younger stars of this film, Millicent Simmonds and Noah Jupe, are simply wonderful, and I think both have their moments where they do, in fact, outshine their on-screen parents. There’s an overwhelming sense of maturity displayed in both of their performances, and this whole idea that the circumstances under which they are living has robbed them of their childhood is another reason why you want them to beat the odds. Both are smart and know what they need to do so that they don’t get killed – there’s no whining despite the constant fear that they both inevitably have. They just get on with it, which is more than can be said for a lot of the characters that have appeared in every other horror/thriller type film that I’ve seen.

I think another key thing to point out in relation to the performances is the use of sign language within them. It just brings another dimension to the film where you have to give people credit for what they’ve done. As well as this, it massively boosts the accessibility of the film too. Recently there’s been a lot of talk deafness and cinema following the success of short film, The Silent Child, and this film shows that sign language can be a massive part of film and be successful, and that a film doesn’t necessarily have to be about deafness in order to contain sign language. As film, this has a lot to shout about, but in terms of creating cinematic experiences for all, it has broken down barriers and shown that it is possible to create great films that everybody can watch.

It’s important to point out the all-consuming nature of A Quiet Place. I’ve never known a film like it if I’m completely honest (granted, I’m not that old, so it’s not the most impressive statement, but just go with it for a second). I saw this film with decent sized audience, and because I booked quite late, I had been forced to take a seat in the centre of the auditorium. Now, if I had have had my usual seat (back and centre, widely regarded to be one of the best seats in the house), I wouldn’t have been as aware of the people around me, which would’ve meant that I wouldn’t have experienced the atmosphere that that auditorium held for more or less the entirety of the film. It was almost as if we were all in sync. We’d all jump together. We’d all hold our breath together. Most notably, however, everybody was as silent as they could be for the whole time. The film had us all in such a vice-like grip that none of us felt able to make a sound either, much like the characters in the film. The writing and the ways and means by which it translated onto the screen have produced something that is a phenomenal example of how a film can move mass groups of people, and restores my faith in the fact that people will go out of their way to watch good films that don’t necessarily fit into the mainstream.

A Quiet Place is a fantastic film, and I really do think it’s going to be one of the most talked about this year. It confirms how important sound is in film, and also offers a masterclass in building suspense, keeping you on edge throughout. The characters are the kinds of people that you can actually vouch for, and as a result you are even more invested in a film that has already refused to loosen it’s grip on you. I love the fact that we get to see plenty of the monsters that are the cause of everything (unlike a recent monster movie sequel we’ve had unleashed upon us), but the fact that sign language plays such a key part in the film too is something that I think will create something of a legacy as I can’t think of another film that has featured signing so heavily that hasn’t been Oscar-bait nor has featured deafness as main part of the story.

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Review – Berlin Syndrome

Some of the best films centre around entirely plausible events. Berlin Syndrome is one of those films.

This film caught my attention when I saw a trailer leading up to it’s release however after seeing that trailer, I didn’t really see much else about it. Fast-forward a few months and good ol’ Netflix has come to my rescue.

At the heart of Berlin Syndrome is Clare (Teresa Palmer), an Australian photo-journalist who partakes in a holiday romance with Andi (Max Riemelt), but who wakes up in his apartment the next morning unable to leave.

This is a film with many plus points. First of all, I thought the two main performances were terrific. Both were really authentic-feeling and came together as one element that contributed wonderfully to the rest of the film. I thought Teresa Palmer’s performance was great – you got to witness near enough every emotion known to man whilst watching her. It was also nice to her survive based more or less all on her own wits.

Of course, we all know by now that I have a soft spot fo the bad guys in most films, so it’s inevitable that I spend time gushing about Max Riemelt’s performance. He made Andi so complex, but ultimately made it very clear what sort of mentality he was in. Long story short, he was a psychopath, and anyone who reads these blog posts regularly, if such a person exists, will know exactly how I feel about that.

Another big plus point of this film is how intense it is. Yes, it is slow burner, but I think even the most impatient will stay the journey with it because of how it played with tension. Right from the start of the film, you know two things are going to happen – Clare is going to get kidnapped and she is going to get out. But everything that happens in between, and how it happens, is a mystery. Berlin Syndrome thrives on this, and so does the viewer, who goes from scene to scene without really knowing how things are going to play out.

I thought the hints that were dotted throughout the story as to Andi came to be how he is here were a nice touch. But what I thought was the best thing about it was the fact that these possible explanations were never thrown in your face. In fact, this is a point that just came to me as an afterthought when writing this review, which I guess proves the subtlety.

There you have it then, my take on Berlin Syndrome. For me, the film’s a real winner. You have two brilliant performances and tension by the bucket load in a story, that in all seriousness, could happen very easily, which only adds to the experience as you’re watching it. Definitely worth a watch if you ask me.

Review – Sleeping With The Enemy

I’m a big Julia Roberts fan. I’ve seen a few of her films now, and I’ve enjoyed the majority of them. Sleeping With The Enemy was not really part of that majority though.

The film follows a woman who fakes her death in order to escape an abusive husband, but who ultimately makes enough mistakes to enable him to track her down in her new life. I liked the idea of the storyline – I think that had Roberts not have been front and centre in the film it would still have appealed to me because of this. As I was watching it, there were parts of the film that I think could have influenced other stories such as Gone Girl. I have to say though that I thought it could have been done better. There were certain elements of the plot that were a little too good to be true and worked too well in the favour of some characters. Now might also be a good time to point out that I didn’t find the ending to be very satisfying at all. I’d have preferred a more drawn out, more climactic final showdown that the one we got. What happened was a bit predictable for me – I’d have preferred something with more shock and awe to be honest.

This wasn’t my favourite Julia Roberts film, not by a long way. I don’t think there was anything that was majorly wrong with it, no crimes against film were committed, I just didn’t like it that much. Her character here was a far cry from Vivienne in Pretty Woman or Erin Brockovich in, well… Erin Brockovich. Instead, she was bit of a wet lettuce who you struggled to pull of the things she did. As for some of the other actors in the film… I haven’t got a clue who any of them were to be completely honest (all I know is the guy who plays Roberts’ husband here has recently made a prolonged appearance in Eastenders which tells you all you really need to know about him). Again, I didn’t think anything I saw was particularly stunning, but they were performances. I think I’ll leave it at that.

So those are pretty much all the thoughts I have on Sleeping With The Enemy. In short, I’d advise spending your time watching one of the numerous films similar to this but finished to a higher standard. This was rather average, and I think we all deserve better.

Gerald’s Game is a real winner 


When a harmless game embarked upon by a married couple turns into a fight for survival, personal demons and possibly those in the house must be confronted if anyone is to make it out alive.
Jessie (Carla Gugino) and Gerald Berlingame (Bruce Greenwood) are a married couple on a downward slope. In a bid to save their relationship, they take a weekend trip to a rural retreat and attempt to spice things up a bit. However, events take a sharp turn, and Jessie is left to fight for her life, whilst battling her own demons as well.

Last weekend, I watched one of the new Netflix Original films, Gerald’s Game. It sounded… interesting, judging by what I got from the description. However, I wasn’t prepared for what actually happened in the film. It turned out to be a good psychological thriller that proved to use once again that Netflix isn’t messing around when it comes to it’s own projects.

I think the two lead performances were really, really good, and they helped to keep the film moving along at a good pace. Carla Gugino’s character was great to watch as the film unfolded. It was really interesting to see how she portrayed the unraveling that took place for her character as time went by. Gugino completely tapped into the film’s psychological tones with her performance as her character Jessie fought with herself as well as the situation she found herself in, and this was one area the film was able to build tension well, because you never knew whether or not Jessie would have it in her to do what she needed to do in order to escape. 

Bruce Greenwood was equally wonderful to watch. There was an uneasy dynamic between his character and Gugino’s right at the start of the film, and the character that Greenwood went on to portray later on in the film totally explained that. I think he nailed the abusive and chauvinistic side of Gerald, and when paired with Gugino’s performance, it worked tremendously well. As I said, it was these two performances that made this film so watchable.

I love how this film was absolutely nothing like what I had expected it was going to be. I also loved how effectively it built tension. When somebody can make getting a glass of water a heart-stopping event, that is at sign of good storytelling, by means of both writing and directing. There were moments in this film that were similar in nature to that episode of Breaking Bad where Walter White chased a fly for an hour. It was completely deliberate and by no means an accident that such moments had such a massive impact on the rest of the film. That being said, it wasn’t just the small things this film got right. Gerald’s Game also had some pretty big moments where you could say it really took the gloves off. It struck a good balance between these two elements, which ultimately paid off.

The way the film told it’s story was very clever in my opinion. It entertained, but also contributed to so many wider meanings and topics without becoming obscure and seemingly pretentious. For a film’s narrative to be able to do both of those things well has become quite a feat of late I think.

All in all, I was quite a fan of Gerald’s Game. It did everything it needed to do and did so very well. Obviously the performances were a massive helping hand in making this film so good to watch, but the writing absolutely did it’s fair share of the work. To anybody who is contemplating watching this, I say go for it, because it is one of the better psychological thrillers to surface recently.

American Assassin is a solid action film, but nothing new

Following a terrorist attack on a beach, a civilian decides to take action against those behind the incident.

When Mitch Rapp (Dylan O’Brien) proposes to his girlfriend whilst on holiday at a beach resort, he didn’t anticipate the engagement being cut horrendously short by a terrorist attack in which almost everyone on the beach was injured or killed. In the months following the attack, Mitch decides that he wants sweet revenge. He puts himself in position to make a move on the man behind the attack that killed his loved one, only to be interrupted by U.S. armed forces just before he’s about to strike. He is held in custody before being referred to Stan Hurley (Michael Keaton), the man in charge of training individuals who are to involved in Black-Ops style missions. The men prove themselves to be a real match for each other, and it’s not long before the two are going out on their first operation together to put a stop to an ex-trainee of Hurley’s wicked ways.

I was quite excited about American Assassin. On the surface it looked like it was going to be a great action film that could potentially have been the making of Dylan O’Brien in slightly more grown-up cinema. Now I’ve seen it I have to be honest and say it wasn’t as good as I’d hoped it would be, but that it was worth seeing nonetheless, and I do think it my have succeeded in helping the lead shed some of those more adolescent roles.

I do think Dylan O’Brien did a good job with his performance. He made the change that occurred in Mitch following the beach attack so easy to spot, and I think this was something that was of utmost importance to the role. It was the single motivation behind his character, so the amount of emphasis placed on it by O’Brien’s performance and the story itself was key, and I feel like this was one thing the film got bang on.

Michael Keaton clearly had fun with his role as Stan Hurley. It was good to see him revelling in the part he was playing. He was as tough as old boots on the surface, but deep down there was a man who had feelings and who was having his own issues, especially with the nature of the mission he was embarking on now. Basically there was quite a lot more to his character than you were initially greeted with as a viewer. I think the combination of his and O’Brien’s character worked really well, and was a dynamic that lifted the film considerably as they both complimented each other.

There was some really good explosive action in this film, which was nice because I don’t think we really get enough of these films where the action is one of the main events. Obviously we’ve had some good action comedies such as The Nice Guys, and some off-kilter action thrillers in the form of The Accountant and Baby Driver lately, but it’s been a while since we’ve had a half decent serious action film. For that reason, I enjoyed the film because it didn’t hold back at all, especially during a torture scene that had quite a few people in the cinema cringing (pulling fingernails off does that to people I think). It’s also been a while since I’ve seen an opening scene that was as intense as the one here in a film that didn’t venture off into some next-level obscurity.

Despite everything I’ve just said, however, I have to be honest and say that I felt as though something was missing, or there was just something about it that meant it didn’t quite manage to join the greats of the genre for me. I’m glad I watched the film, and it definitely is something I would have watched at some point because of the type of film it was, but I can’t say that I’d rush to watch it again. It was just a bit too generic for me to go screaming from the rooftops about it, you know? It took quite a formulaic approach in the way it told the story and did a bit messy at one point about halfway through where I’ve still not 100% figured out what happened.

Overall, American Assassin is a solid film that I think adequately fulfils the need some of us were starting to have for a serious action flick that didn’t leave a terrible taste in our mouths. It was great to watch the dynamic between O’Brien and Keaton, and the action was full-throttle. It’s just a shame it couldn’t have been slightly more original, but hey, you can’t have everything all the time.

You’re Next was surprisingly wonderful


A family reunion is violently disrupted when a group of masked hooligans gate crash anniversary celebrations.
When the Davison family got together for their parents’ 35th wedding anniversary, they knew some sort of drama would be on the cards. After all, what family reunions aren’t without a little… excitement? However, during dinner, a group of masked killers descend upon the house, and one by one they set about picking off each and every member of the Davison clan. Well, almost all of them.

You’re Next is one of those films that hadn’t really appealed to me until recently. By now, you guys will know that I’m not exactly a horror fanatic, and because this is billed by a lot of people to be a bit like that, I hadn’t been in a hurry to watch it after being majorly let down by roughly 90% of the horror films I’ve seen. However, in the last few months or so I’ve heard a few people really rave about this film, and seeing as it was on Netflix at the minute, I decided to watch it. I am very pleased I’ve seen it now, because it was really good. Packed full of action and a wonderful heroine, plus something that actually resembled a plot, it was a very pleasant surprise!

Sharni Vinson played the hero of this story. Erin was everything I want all horror characters to be from now on. She was intelligent; she stayed calm when everyone around her was losing their heads, and she could put up a bloody good fight. Words can’t describe how happy I was to find that I was finally watching a film such as this where the lead had a brain.

Inevitably, there were more idiotic characters to be found here, but they helped to highlight how this film got things right. It took the characters who had straw where their brains should have been and killed them off first. This was a film with horror elements that got the idea of natural selection spot on. Charles Darwin would honestly be so proud of the film makers here, as am I!

There was so much creativity used in this film too. I’ve discovered so many different ways in which I can now arm myself in the event of a home invasion in my own house, and some of them were hugely ingenious. I mean, I’d never seen someone get their head blended before seeing this, but now I have, and I must say my eyes have been opened. The various different ways people got killed or injured in the film meant the action could be stretched out across more or less the whole film, and this made for a packed 90 minutes. It was absolutely brilliant!

However, I wouldn’t say that this has ignited a love for horror films with me. I personally wouldn’t class this as a horror film. There were elements, I am not disputing that, but this was definitely more of a thriller than anything else. The only reason I would say this got handed some horror status was because of the amount of blood that was spilled in it, which is fine, but for me I need to more than that before I can start throwing the H word around. Still, that shouldn’t take away from how good this film was. I was probably just being nit-picky.

I would definitely recommend You’re Next if you hadn’t already gathered that much. This is basically what The Purge tried to be but ended up failing miserably as. There are so many plus points for this film, and I could go on for hours more about the finer details. The bottom line it this was a fun, action-packed violent thriller with a brilliant lead character who shames so many others who came before her. I absolutely loved it!

Charismata is a decent effort but needs a bit polishing


The film is about a female detective following a Satanic cult murder case. As she begins to uncover more bodies and more details, she starts to become obsessed with the darkness of the case and the possibility that the potential suspect is trying to victimise her. As she, and those around her, begin to question her sanity, it’s clear there is more to lose than just her life.So, Charismata. This is a film that I think shows there is a lot of potential for the people involved to go onto bigger things, especially writers and directors Andy Collier and Tor Mian. However, I do think there are little tweaks that need to be made, as there were a few things that I struggled with whilst I was watching the film.

One of the biggest problems I had was with the characters. I simply didn’t like them. There were no obvious redeeming characteristics for me to cling onto with them, and personally this is something I need to really be able to get behind the story and the film. For example, the character of Rebecca Farraway had such a huge chip on her shoulder. She was too stubborn for her own good. I like strong female characters and am all for more of them being written, but she didn’t know when to ask for help and this led to a lot of unnecessary hardship coming her way. The same thing kind of goes for the Eli Smith character, as well as many of the other men. There was a lot of male bravado floating around, and it was hard to get past this. I think had the more negative qualities possessed by these characters been toned down a bit and accompanied by a bit more humility, it may have been a different story.

That being said, I quite liked much of the rest of the film. The storyline had Se7en vibes, but didn’t feel like a rip-off of the film. It took the idea and put it’s own twist on it, and I liked that because with a film as great as Se7en, the temptation would be to copy it, but here it seemed to inspire something different altogether. Of course, the filmmakers themselves may not have been influenced by it at all. Either way, the story was a winner for me. It needs polishing a bit just to take it to the next level, but what the writers did with it was not a bad idea. I also liked the psychological element of the film, and liked how big a part it had. What I thought worked so well here was that it felt fairly realistic that Rebecca was having all the hallucinations that she was because of the line of work she was in. It was believable and this made it easy to watch and go along with.

Overall, Charismata was a decent psychological horror film. It needs a bit of work doing to it, mainly where the characters are concerned so that you can find yourself being a bit more supportive of them, but generally it is not a bad effort at all. The storyline worked very well in it’s favour, and it’s psychological themes were also effective. I don’t know if I’d watch the film again, but I certainly don’t regret seeing it.