A young married couple have their live’s thrown into disarray when an acquaintance from the husband’s past turns up and reveals a horrific secret about him.
When husband and wife Simon (Jason Bateman) and Robyn (Rebecca Hall) move from Chicago to California, one of the first things they do is head to a home furnishings store. There, they bump into Gordo (Joel Edgerton), a man who seems to Simon, despite Simon not being sure that he’s ever met him before in his life. Through a series of unplanned meetings at their new home, Simon realises that he went to school with Gordo, and that events from their childhood may have had an adverse effect on him. Simon tries to convince Robyn not to worry, however still unnerved, she decides to do some digging of her own. When she finds out what exactly unfolded between the two men years ago, she’s not entirely sure who the bad guy is anymore.
The Gift is one of those films that I had heard a lot of good things about, so was eager to watch it in order to see what all the fuss was about. I have to say, for a film that was shown in trailers to be a bit jumpy, I had half expected it to fall flat, despite the rave reviews. I can happily inform you, however, that it fully delivered on what was promised, with everything culminating in a horrifically twisted ending that will leave you questioning who the real villain was yourself.
I quite enjoyed all the performances here. Jason Bateman, or, as someone kindly pointed out to me via Twitter, Jason Great-man, played a good part as Simon, as did Joel Edgerton as Gordo. I mention them both together because in a way, they took on similar roles. I couldn’t really be sure about either of them for the whole film. I think they complemented each other’s characters really well, and a few of the scenes where the pair sized each other up were majorly intense.
Speaking of intense, something this film was very gifted (you’re welcome) at was building tension. You may or may not be aware by now that I am a jumper, and I will have you know that I watched this film late at night – an excellent combination I later discovered! The mix of the dimly lit shots plus the use of only the film score alongside the overall tone of the film made for a very eerie atmosphere, and just like lighting follows a clap of thunder, this eventually culminated in a jump scare that got me every single time.
I have to give full credit to Edgerton. Not only did he star in the film as a terrific character, but he also wrote AND directed the whole thing as well. I’ve seen people give themselves this workload before, but usually one part of it is at least slightly below the standard the other two meet. Edgerton, however, handled all three components masterfully here, proving that what I’ve heard from fellow bloggers and human beings is true – he is a very talented man, and one that I shall be keeping an eye on for the foreseeable future.
Overall, I have to say I’d recommend The Gift to people, in fact, I already had before writing this post. For a film that just seemed to pop up out of nowhere, it does alright. One thing it knows how to do is build an atmosphere, whether that be through pitting characters against each other or the use of all resources involved in making the film. It’s a good watch, and one that proved to me that once a jumper, always a jumper.