In 1950s Pittsburgh, Troy Maxson (Denzel Washington) makes a living as a sanitation worker. He once dreamed of becoming a Major League Baseball player, but was passed over after deemed to be too old to be a serious competition. Troy has always suspected that the colour of his skin was to blame for his failure however, as has seemingly been the case for many of his other pitfalls in life. His bitterness towards how his own life has treated slowly begins to cause ructions within his family, especially when he quashes his son’s chances of becoming an football player.
Fences was one of this year’s most anticipated films for me. The Oscar nominations is received only made me want to see it even more, and now that I have finally seen it, I have to say that it fully delivered for me. The performances were show-stopping, and made the story that the film had to tell feel so real.
This is a film that really is for people who love actors. I’ve loved all the work I’ve seen from Denzel Washington and Viola Davis, and this story was no exception. Washington is quite possibly at career best here as Troy, and that says a lot, especially if you take the time to look back at his filmography and see some of his other roles. He put on such a raw performance, and his scenes with both Davis and Mykelti Williamson were simply wonderful to watch.
Davis played Troy’s long-suffering wife Rose, and just so you can get a feel for what her performance did for me, I’ll let you know that you cannot begin to comprehend the roars that came from my living room when she won her BAFTA on Sunday. Troy may have been the main character here, but there is no doubt that this was Rose’s story. There was so much passion in Davis’ performance. You could tell that this film was a project that she felt deeply about, as was the case for everyone involved, but Davis’ energy just radiated around the room when I was watching her.
Someone who I think was hard done by when it came to awards nominations was Mykelti Williamson, who played Troy’s brother Gabriel. He gave such a touching and sensitive performance as the man who had such a great part of him stripped away during the war. His scenes with both Washington and Davis were something to behold, and added yet another layer of magic to a film that was already hitting all the right notes for me.
Washington not only played a blinder here – he also directed the film, which was adapted from the August Wilson play of the same name. I’ve just spoken about how this film was a labour of love for everyone involved, and none more so than Washington. He has had connections with the story for a number of years, and so I fail to think of someone better suited to head up the task of moving it from stage to screen than him. Beyond the fact I thought the run time was probably twenty minutes too long, I wouldn’t change a single thing about this film, and that’s the truth of it all.
All in all, I don’t know what more I can say about Fences. It is a very simple, yet realistic story made very special by the people that worked on it. It has so much heart, which is evident from what we see in each and every performance in the film itself, and also in what the cast and crew members have to say about the making of the project. No matter what else happens this year, I do not think for a second that we will see another film made with more love and devotion that this one.