Bladerunner 2049 has me somewhat conflicted

A young blade runner unearths a secret which means he must track down one of his predecessors who has been missing for the previous thirty years.

Thirty years on from the first film, a new blade runner, LAPD officer K (Ryan Gosling) is forced to dig up the past after a secret is uncovered that has the potential to destroy what is left of society. He must put the matter bed, but before he can do that he must track down former blade runner Rick Deckard (Harrison Ford) who he believes has some of the answers he needs.

Right, so… I finally made it to see Bladerunner 2049. I have to be honest and say that it was bit of a love/hate experience. There were parts of this film I wouldn’t change for anything in the world, however there are plenty of things that I disliked about the film, so this should be an interesting review.

I think we can all agree that it is high-time Ryan Gosling won an Oscar. He has been on form in the last few years but has received very little for his troubles. K was a character with a few different layers, and I think Gosling played him excellently. You definitely got a feel of the complexity behind his character, and so I’d say that this role is a real testament to Gosling’s capabilities. Can we also take a minute to appreciate his jacket wearing as well? The overcoat looked very well on him I must admit – made the almost 3 hour run time slightly more bearable.

It was nice to see Harrison Ford back in the saddle as Rick Deckard. I didn’t make it through the whole of the first film, but watched enough to get a feel for his character. The toll that the interim thirty years had had on him was fairly evident, and this helped things a lot as I felt it added some authenticity to the revival of his role. I think it would’ve been better had he have had a slightly more prominent role overall as he did take a while to show up, but then the film was very long so I guess they couldn’t burn him out straightaway.

So, I’ve passed comment a couple of times on the length of the film. It was way too long. Unnecessarily long. So many scenes, in my opinion, could have been kicked to the kerb completely. Did Jared Leto even really need to be in this film? I understand who his character was and the part he played in the grand scheme of things, but the scenes with him just didn’t really feel like they properly belonged here. There were a few other shots that I think could’ve been ditched as well, such as the multiple shots of the city – if I’ve seen it once, I don’t need to see it again, trust me. Others could’ve been sped up a bit too. The biggest problem for me was not only the length of the film but the numerous pacing issues it had. Had it not have been for this I’m sure the time would have passed slightly quicker.

Generally speaking, the story line was good. It was quite well put together and had a few twists that freshened it up from time to time. However, sometimes the twists got a bit too twisty and it felt like the narrative was trying to be too clever. This was worsened by the strands that felt like subplots because from my point of view they had little or no impact on the main story.

Of course, although I’ve bashed it quite a bit here, I cannot ignore the fact that as far as the technical elements of film go, this was a masterpiece. It was visually stunning – I loved the cinematography, the editing and the various colour palettes that were used throughout. The sound was also tremendous and complimented the film’s various tones brilliantly. I can confidently say that it looked amazing even if other parts of it fell short.

Overall, I’ve not quite made my mind up about how I feel about Bladerunner 2049. I think it’s going to be one of those films that requires a few watches before I can come to a more solid conclusion. Do I have it in me to sit and watch this marathon of a film again anytime soon though? I’m not sure. Don’t get me wrong, when it was good, it was really good. But when it wasn’t, I couldn’t really care less about it.


I watched London Has Fallen… bloody hell!

When the English prime minister dies, many of the world’s leaders gather in London to attend his funeral, only for the city come under siege from terrorists.
Following the mysterious death of British PM James Wilson, all leaders of the Western world must attend his funeral in London. Presidential bodyguard Mike Banning (Gerard Butler) sees the event as a huge risk, but President Ben Asher (Aaron Eckhart) has to go, so he must protect him. Just as predicted, the funeral goers come under fire from just about every direction and whatever plans they had for paying their respects go tits up. Many are killed, but one who is unaccounted for is the U.S. president.

I watched London Has Fallen, and it was laughably bad. The film was a cliche-ridden mess that took up almost two hours of my precious time and left me quite disappointed with a number of the actors who starred in it. I’m not entirely sure why I decided to inflict it on myself, but I did, and I’ve regretted it ever since.

If someone held a gun to my head and said I had to find one positive about this film, I’d say the cast. There are a few good actors in the film, although I do question my stance on them after seeing this. I didn’t particularly like any of the performances. All were very generic and kind of typical of every kind of film this was trying to be. I’ve come to the conclusion that Gerard Butler should do what Matthew McConaughey did around 2010 and just disappear for a few years. Let’s face it, he’s not been in anything that’s been worth watching for a long time, and given the next few films he’s going to star in, that doesn’t look like it’s going to change anytime soon. His performance as Mike Banning was cringe-worthy at best, feeling more like every impression of John McClane that has ever been done.

The story had many downfalls. Where shall I start? Well, it ripped off so many other films for a start. It was also massively unrealistic. I know this is something that could be said for most action films but just hear me out for a second. What criminal or terrorist organisation do you know of that has a video game-style supply of bad guys? There was literally no end of them throughout the whole film. There were a number of other major issues besides this one, but I’ve done my best to forget about them.

Let’s just take a moment to discuss that glorious CGI before I wrap this one up. The effects used in this film have me convinced the every element of this production was competing against each other just to see what could be crowned the worst part of it. Had the explosions and helicopter crashes been the least bit convincing, London Has Fallen might just have been slightly bearable. However, they were not, and so I must pan them like I have done almost every other part of the film.

I will not be recommending London Has Fallen to anybody anytime soon. I would say the film was shite, but I fear that would be overselling it. Why does Hollywood think that this is what the world needs? On a brighter note though, I suppose we don’t need to worry about too many more of these films coming out for now because I think they only ever get made when the world likes the leader at the heart of the story. Anyway, those are my thoughts, shared with you guys so that you don’t have to endure the same experience I did with this film.

Top Of The Lake is a top show

When a pregnant twelve year old girl seemingly tries to drown herself in a lake and then goes missing, New Zealand police must track her down and work out who the father of the baby is.
Tui Mitchum (Jacqueline Joe) is found standing in a freezing lake one morning whilst a school bus is passing. She’s taken straight to the school nurse, who is shocked to discover that Tui is pregnant. Tui is taken to the local police station where she is interviewed by Detective Robin Griffin (Elisabeth Moss) and then taken home, only to disappear shortly after. Robin knows that time is not on Tui’s side, and nor are the weather conditions. She must fight to find Tui as soon as possible, whilst also confronting some of her own demons from her past.

Top Of The Lake is a show that felt like it took the world by storm when it first aired in 2013. There seemed to be an awful lot of people kicking up a fuss about it when it premiered on BBC2 back then. It would seem that I am quite late in only jumping on the bandwagon with this one now. However, I’ve finally watched the show, and I have to say that whilst I was quite impressed by it, I can’t quite figure out why Top Of The Lake heralded such a dramatic response from people as I thought it was good, but not exactly mind-blowing.

I liked most of the characters in the show, and I thought the performances that went into them were pretty decent. Elisabeth Moss had a fair old crack at a New Zealand accent so at least the show didn’t fall on it’s face there. She played a good part as Robin. I liked the strength she showed, but also the fragility that lay not far beneath the surface of her character. 

David Wenham played Al Parker. He was the top dog at the police station that was the hub for the investigation. There was something dodgy about him from the start, but the way Wenham played Al meant that you kind of kept coming back to the idea that he might actually be an okay guy. It was hard to gage exactly what side he was on throughout the whole series, and then things took a real turn in the final 20 minutes of the last episode that confirmed who he was was. I liked Wenham’s performance all the way through because I never really knew where I stood with his character, and I personally think that’s always a good feeling for an audience to experience.

Alongside the characters, the main story was one of the strongest elements of the show for me. There were a few twists that I think worked really well and didn’t feel as though they had just been thrown in for the sake of being there. One thing that did cause me an issue was the subplot involving the womens’ cult. That didn’t come together as well for me as some of the other subplots did. I didn’t really see where that fit into the rest of the show, and I think it could easily have been discarded. However, it didn’t detract from the rest of the show, so I won’t complain too much.

One last thing I would like to mention is the scenery. It’s something that has a place in a lot of TV and film productions that take place in New Zealand, but it’s always so beautiful. In this show, it kind of became another character as well because so much of the investigation at the heart of the story hinged on the environment. It’s not hard to see why so many films choose to shoot there because it is glorious to look at.

So, Top Of The Lake – would I recommend it? I think so. It was a good TV show – definitely one of the better ones I’ve seen on the BBC lately (let’s face it, the last few years has seen a lot of absolutely garbage come from them) – and it felt really solidly made. I do believe that China Girl, the second season, will be as good as this one. It doesn’t feel like a fluke, if that makes sense. Anyway, if you haven’t seen Top Of The Lake and have a gap in your TV schedule, give it a bash. 

Gerald’s Game is a real winner 

When a harmless game embarked upon by a married couple turns into a fight for survival, personal demons and possibly those in the house must be confronted if anyone is to make it out alive.
Jessie (Carla Gugino) and Gerald Berlingame (Bruce Greenwood) are a married couple on a downward slope. In a bid to save their relationship, they take a weekend trip to a rural retreat and attempt to spice things up a bit. However, events take a sharp turn, and Jessie is left to fight for her life, whilst battling her own demons as well.

Last weekend, I watched one of the new Netflix Original films, Gerald’s Game. It sounded… interesting, judging by what I got from the description. However, I wasn’t prepared for what actually happened in the film. It turned out to be a good psychological thriller that proved to use once again that Netflix isn’t messing around when it comes to it’s own projects.

I think the two lead performances were really, really good, and they helped to keep the film moving along at a good pace. Carla Gugino’s character was great to watch as the film unfolded. It was really interesting to see how she portrayed the unraveling that took place for her character as time went by. Gugino completely tapped into the film’s psychological tones with her performance as her character Jessie fought with herself as well as the situation she found herself in, and this was one area the film was able to build tension well, because you never knew whether or not Jessie would have it in her to do what she needed to do in order to escape. 

Bruce Greenwood was equally wonderful to watch. There was an uneasy dynamic between his character and Gugino’s right at the start of the film, and the character that Greenwood went on to portray later on in the film totally explained that. I think he nailed the abusive and chauvinistic side of Gerald, and when paired with Gugino’s performance, it worked tremendously well. As I said, it was these two performances that made this film so watchable.

I love how this film was absolutely nothing like what I had expected it was going to be. I also loved how effectively it built tension. When somebody can make getting a glass of water a heart-stopping event, that is at sign of good storytelling, by means of both writing and directing. There were moments in this film that were similar in nature to that episode of Breaking Bad where Walter White chased a fly for an hour. It was completely deliberate and by no means an accident that such moments had such a massive impact on the rest of the film. That being said, it wasn’t just the small things this film got right. Gerald’s Game also had some pretty big moments where you could say it really took the gloves off. It struck a good balance between these two elements, which ultimately paid off.

The way the film told it’s story was very clever in my opinion. It entertained, but also contributed to so many wider meanings and topics without becoming obscure and seemingly pretentious. For a film’s narrative to be able to do both of those things well has become quite a feat of late I think.

All in all, I was quite a fan of Gerald’s Game. It did everything it needed to do and did so very well. Obviously the performances were a massive helping hand in making this film so good to watch, but the writing absolutely did it’s fair share of the work. To anybody who is contemplating watching this, I say go for it, because it is one of the better psychological thrillers to surface recently.

The Walking Dead got off to a decent start

A sheriff wakes up from a coma to find the world in ruins after an outbreak of some sort of disease.
Whilst on duty one day, Sheriff Deputy Rick Grimes (Andrew Lincoln) is shot and left in a coma. After some time, he comes round only to find that the world has changed beyond all recognition. Something that can only be described as a zombie apocalypse has occurred, and it’s not long before he finds himself in another spot of bother. Thankfully, there are other survivors, who Rick teams up with in a bid to survive.

I’m a bit behind on this one, but I’ve just recently started watching The Walking Dead. I’ve got the first season out of the way, and so far I’m liking it. There’s a good bit of action to be had, and it’s also very funny in places. The characters that I’ve been introduced to so far have shown a lot of promise, and I’m now eager to see where things go from here.

There hasn’t really been a stand out character for me yet. Obviously we have our hero in Rick, but I think he’s fairly standard so far. I think it’s going to be interesting to see how his relationships with some of the other characters develop as there’s already some tensions growing. I think that Andrew Lincoln has presented Rick well with his performance. It’s clear that a lot of emotion is bubbling away under the surface, and so I’m definitely very interested to see where things go from here on out. Norman Reedus’ character Daryl has definitely been the most entertaining so far – I do love those loose cannon types! What I like about him is you cannot tell what he’s going to do next, which always makes for a decent amount of unpredictability. One thing for certain, however, is that there is a lot more to come with all of these characters, so I’m watching this space for now.

The story has also been set up nicely. With this being the first season, there’s not a huge amount that it really delved into, but it has created a number of possible plot lines that I’m hoping will be explored further down the line. For example, the mysterious disappearance of Merle Dixon (who I was very surprised to see was played by Michael Rooker) is one I need closure on. I don’t believe for one minute that I’ve seen or heard the last of that. Then there’s also the tensions between Rick, his missus and his old partner Shane. I’m just glad to see there’s plenty of potential for where the show could go now, and so I can’t wait to get my hands on season 2.

A big shoutout goes out to the make-up department on this show. The zombies looked good! I’ve seen a few zombie films and I think these ones have looked the best out of all of them. There was something about them that made them seem a bit more undead than the others, and the noises they made were better too. After reading a little bit about the show’s production, I discovered that there is such thing as a Walker School, which would probably explain why these zombies were a cut above the rest.

All in all, my first experience of The Walking Dead has been a good one. This pilot season has set up the seasons to come very well, and there’s been enough hints given regarding what sort of things might be to come to capture my attention for a while long yet. I’m interested to see how the characters and their relationships develop, and to see who else they gather along the way. All I have to do now is find myself a copy of season 2 on DVD…

The Full Monty is the real deal

A group of unemployed steel workers in Sheffield plan to take a turn as strippers for one night only.

Following a huge decline in the steel industry, a lot of people in Sheffield found that they’re suddenly un-busy. Gaz (Robert Carlyle) and Dave (Mark Addy) are amongst these people. Like so many others like them, they’re struggling to get by on the dole. Gaz is on the verge of losing his son as he cannot afford joint custody, and Dave is convinced his marriage is over. In a bid to help himself and others, Gaz comes up with the idea of forming a group of strippers for one night only, and sets about holding auditions for his gang. But what’s the difference between a handful of ex-steelworkers taking their kit off, and professionals such as to Chippendale-esque troupe that were in town weeks before? Simple – the steelworkers are going the full monty…

The Full Monty is a proper British film. It’s one of those that takes a look at hard times, and puts a lighter twist on events without you forgetting what initial predicament was that the characters found themselves in. That being said, I can’t help but think this is what Magic Mike would have looked like had it not have had the budget it did.

This was a really good ensemble cast of well known British TV and big screen stars. Robert Carlyle headed up the cast as Gaz, and was the brains of the operation. It was so easy to get behind him because he had so much energy in the role which made you think that he could actually make his plan work. Mark Addy was his partner in crime, Dave, and he portrayed the complete opposite end of the spectrum with his character. You could feel how down Dave was about the whole situation, and how hopeless he felt. This was something that worked well for all the main characters, however. Each one dealt with unemployment differently, and this made them feel believable. This worked wonders for the film in the end, and had it not have been for this I’m not sure it would have been such a success. 

The story is one of those that could’ve been based on a true story in the way that you’d struggle to make such a thing up. It’s also one of those that make for fantastic Friday night viewing. There were moments when watching this film that I laughed out loud, and then there were others where I really just stopped to think about what the film was actually about and how this has helped it to stay popular over the years. The point is, no matter how you look at this film, it depicts real life and real people, and the wonderfully odd capers we undertake to get by. The events in this film may or may not have actually happened, but there’s nothing to say that it wouldn’t have been possible. It also takes darker times and shows that even in those times, good things happen, and it is these qualities that can allow a film to be well loved regardless of whether it is one of the greatest films ever made or not.

So, The Full Monty is a good British film – in fact, it could be considered a British classic. I’m surprised it’s taken me until now to see it, but it was worth the wait. Yeah, you’ll see better films, but this is one of those that gives you a nice fuzzy feeling as you watch it, and by the end of it you’ll have a smile on your face. The characters completely fit into the demographic represented by the film, and it’s this, plus the authenticity of the storytelling here, that enables you to buy into it so easily. I’d definitely recommend this one.

This film ain’t Filth

A corrupt, drug addicted cop with mental health issues attempts to beat his colleagues to a promotion in a bid to win back his wife and daughter.
Bruce Robertson (James McAvoy) is a bent copper who is up for a promotion, and he will stop at nothing to ensure he gets it. One by one, he singles out his competition and finds a way he can get them all to jeopardise their chances of success. The reason for his desperation to come out on top is that his wife and daughter left him, and he believes that this is the way to win them back. However, slowly but surely, all the secrets he’s exposing come back to haunt him, and Bruce risks losing himself in the web he’s spun.

Filth is a film that has been on my radar for a while. I remember reading rave reviews when it came out, and a lot of people I know have really enjoyed it. It made me laugh a lot, and while I wasn’t entirely sure what exactly to make of the film for the first half, by the time it had finished, I was very happy I’d watched it.

Where is James McAvoy’s Oscar at? Not only for this film, but for a few he’s been in. He’s a wicked actor, and quickly becoming a favourite of mine. He was phenomenal as Bruce, and it was evident where some of the inspiration for his role(s) in Split had come from. I loved how unhinged he was. You never knew what was coming next, and I think this made his performance so much more authentic than if he’d have been down all the time. His energy levels varied constantly and it really was brilliant to watch. McAvoy headed up a really great cast, actually. He was joined by Imogen Poots, Emun Elliott, Gary Lewis, Jim Broadbent, and a favourite of mine from Ray Donovan, Eddie Marsan. Altogether, it was a knockout line-up that made for a bunch of performances that were terrific to watch.

The humour that is heavily drizzled all over this film is very funny and very dark, which is another reason I enjoyed the film so much. There were countless times I couldn’t breathe for laughing that hard. It was exactly my sense of humour (which if you didn’t know involves getting the giggles over a lot of things that a person really shouldn’t get the giggles over), and it was fairly unrelenting. There never seemed to be a very long dry spell in between the laughs, and even then the drama or the story thrived anyway. The actual narrative was one that was quite interesting, and I think it made a few little twists and turns that I can’t say I saw coming. It also combined all the things that were tormenting Bruce and was able to present them to you in a way where it all kind of came to head at same time as it did for our protagonist. This is a film that has been very well done, and I can see now why a lot of people loved it so much.

On the whole, I can only recommend Filth to you. It was a very dark comedy with a bit of the more dramatic material thrown in for good measure. The two elements came together in a way that I think has been the best I’ve seen in a while, striking a good balance in an intriguing story that is told by an awesome lead performance. If you’re yet to see this, do something about that as soon as you can, because as far as I’m concerned, you’re missing out.